I found the album in a vintage record shop. I had no idea who Connor O’Keiley was, but he played folk music in the early 60’s. He was a sea-faring, mandolin player. I love playing mine and I was always looking for inspiration, so I picked it up in the 50¢ bin. Lots of songs I had heard of, some traditional Irish jigs, sea shanty’s, some old English tunes, but he had some originals too. Very Irish looking dude, in a clean-cut sort of early 60’s way.
I listened to it when I got home. There was one song he wrote that was a love song, beautiful. He certainly had a muse. His baritone voice was articulate, and strong, yet had a gentleness to it, especially when he sang about this lady. It was called I see your eyes in every port. It was dedicated to her, "My one, My only love, Miranda". The lyrics spoke of his coming back for her, he was at sea and sang about how no other woman could ever win his love.
I Googled him and did not find a thing. Wonder if he is still with us, after all 1961 was a long time ago.
I sat looking at the lyrics when I felt a tap on my shoulder. I was alone in the house, I jumped! I turned to find a man standing behind me with a big grin on his face. He had a full head of red hair, and sparkling blue eyes. Slim, freckled-face, probably in his early 20’s.
“What the …?” I screamed. My heart was pounding in my chest. “Who are you, Get, get out of my house!
I picked up the heaviest book within my reach threw it at him. It went right through him, but it couldn’t have. Were my eyes deceiving me?
“How did you get in here?”
His relaxed his smile and spoke. “Sorry, it was the record you see, you brought me here when you bought the album. It’s the last one left in the world.”
“Are you trying to tell me you’re a ghost, and this is your long-lost album?”
“I am,” he replied.
I wanted to run, but I was frozen. I tried to scream, but nothing came out of my mouth.
“Don’t worry, I won’t hurt you, I just need your help is all,” he stated. “Please sit down.”
Still very nervous, and not trusting my eyes, I managed to sit back down. “How can I help you?” I asked in a quivering voice. “I don’t understand.”
He walked around the sofa where I was sitting, and tried to turn a wooden chair around. He couldn’t do it. “Hmm, I used up most of my energy tapping your shoulder, anyhow, I will be brief.”
If he wasn’t a dead guy, I’d probably would find that humorous.
“You were reading the lyrics to I see your eyes in every port, well that song is about the only girl I ever loved. She was just 21 then, now, that girl is 82 years old and living in a nursing home, she has something wrong with her mind. She is very ill. She has no family left, no one. I have come for her, but she doesn’t see me. She sees only the evil spirits, that have been manifested by this odd state she is in. I need to bring her to the light. That way we can finally be together.”
In the eyes of this strange apparition I could see tears. He has clearly been waiting for her all this time. I found my own heart sinking at the state of his loneliness.
He continued. “I died at sea, she mourned me for decades. She tried to find love, but it never worked. We were meant to be together, but there’s something in her mind that is preventing it.”
I was puzzled, clearly this woman had dementia and she was having delusions, but I couldn’t see how I could do anything that could help him.
“Why do you think I can help you?”
“I need you to sing that song to her and tell her Connor is waiting for her. I need you to direct her to me, so her soul can be free.”
He began to fade away and as he did he cried, “Please, she doesn’t have much time left, and I need for her to see me. You CAN help me.”
It took me about a week to learn the song well enough to play it on my mandolin and sing. He hadn’t returned. I wondered if I would ever see Connor O’Keiley again.
I figured that was it. It was a pretty song, but now I needed to move on to something else and not some weird hallucination I may have had. I was beginning to think I had imagined it all. Then, once again, I felt a tap on my shoulder. I jumped.
“Why did you stop? You’re ready.” Connor said.
“I learned it, but honestly if your song on the album is played wouldn’t that work?” I asked.” I really think if she sees your photo on the cover, and hears the song you wrote for her in your own voice, that might help.”
“Bring it with you. It might help for her to see my face. She has not seen this album since sometime before she got sick. It was in her house and got donated to the record store when she was moved into the nursing home. Since then I have seen her withdraw into her own mind and not respond to recordings, but she has reacted a bit to people performing for her,” said the ghost.
He gave me the name and address of the nursing home and we planned to meet in her room after he had time to recharge his energy.
I got into the facility by convincing them that I wanted to entertain the residents, especially those who didn’t have love ones to visit. I told them it was my quest to “do a good deed day” (which I made up on the spot) so that was my in. I also gave them some of my cds.
Soon, I was setting up my gear and a group of elderly folks were sitting in front of me. I asked their names, but none were called Miranda. I did a short set. They seemed to like it. I asked if there was anyone there on hospice. I said I have a friend whose old neighbor might be there. She asked if I could play a couple of songs for her. Her name is Miranda Devenaugh.
Kelly, the aide, face lit up. “Yes, Miranda is here. I can bring you there. I hope you can bring a smile to her face.”
Miranda was in bed looking up at the ceiling in fear as if something was coming at her. She seemed frozen.
“Miranda, you have a visitor.” Kelly shrugged her shoulders.
The old woman ignored her.
“Sorry, she doesn’t respond much to anyone.”
Connor was standing next her trying to talk to her. The aide was oblivious to him. Along with the rest of the gear I did bring a record player. I plugged it in and put the ghost’s album on. “I hear this is one of her favorite albums. I’d like to play it if I can.” Then to Miranda I said, “Connor is here!” for which I got a puzzled look from Kelly the aide.
I cleared my throat, “He was an old friend of Miranda’s, I explained to the aide.
Then to Maranda, “Connor is here on the record, listen.”
I see your eyes in every port played on the somewhat scratchy vinyl. Conner called to her, tried to touch her, but she just stayed where she was. I brought the cover to her. “Hi Miranda, I am Jill. I have something you might remember. I walked over to her and showed her the cover with Connor’s smiling face. She finally looked away from the ceiling and grabbed the cover in her hands. She pulled it to her chest.
Connor nodded to me. I turned off the turntable, sat and played my mandolin. I sang Connor’s song to her and Kelly. Miranda sat up in bed and looked over at me. Her lips turned up in a sad smile, and in her eyes, were tears. Kelly looked at me wide-eyed, smiling. Connor started singing along. I continued to play but stopped singing to let him carry the tune. She was turning towards his voice. She could hear it.
She raised her arms and reached out to him. “Connor, my love!”
He smiled. “It’s time to come with me Miranda. We will be together,” he said.
She laid back down and in a short while she died. I saw her spirit rise out of her body and join her lost love. Meanwhile, Kelly rushed to the side of the bed to aide her patient, alerting her co-workers.
I was rushed out of the room by the staff, but not before I saw Conner and Miranda, now young, and beautiful, disappear into the light. Waving thank you. They were going to be one with all of the stars.